Taking a break this week from instruction so I can catch up and get pictures of a few detail options like pockets and buttonholes. Instead, I figured I'd show you some of the finished pieces I've been using as examples.
First is a 1940s coat made using Wearing History's Veronica pattern. I chose a Pendleton wool plaid for the outer and a rayon bemberg lining, which I usually get from Britex. It's weird for me, but I didn't make any alterations to the pattern, just used the smaller sleeve top provided as an adjustment. I did end up with a much more complex interfacing than was instructed or needed, however. This was the coat I used for as the main example in Collars & Lapels as well as Tailoring Stitches, so there's plenty in those posts about it's construction!
This 1950s suit was a much more complex process. I purchased a single sheet French pattern on Etsy and it came with minimal instruction. I had to adjust the size of the pattern down a fair amount after copying it to individual pieces, but it's still a little larger than I would like. I based the interfacing structure on a couple of examples I was able to handle, trying for the New Look stiff hips. I used an olive wool from Burnley & Trowbridge (I stocked up on wools from them recently, so expect quite a few suits!).
First is a 1940s coat made using Wearing History's Veronica pattern. I chose a Pendleton wool plaid for the outer and a rayon bemberg lining, which I usually get from Britex. It's weird for me, but I didn't make any alterations to the pattern, just used the smaller sleeve top provided as an adjustment. I did end up with a much more complex interfacing than was instructed or needed, however. This was the coat I used for as the main example in Collars & Lapels as well as Tailoring Stitches, so there's plenty in those posts about it's construction!
Love love love! I am in awe.
ReplyDeleteBeautiful
ReplyDeleteI so like this plaid fabric. It looks cozy and a little strict with this shape at the same time.
ReplyDeleteBeautiful and elegant.
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